What does Events Delivered do?
Event design, funding and production – all under one roof, or shade cloth :-)
Events Delivered manages a diverse portfolio of events and projects designed to assist clients in achieving community and economic development objectives, while enriching people’s lives and promoting well-being.
Services
Specialising in the arts, performance and community-strengthening initiatives, Events Delivered has expertise in…
event design and production
fundraising and sponsorship strategies
policy development and strategic planning
marketing, campaign PR and advertising
Clients
Events Delivered collaborates with community groups, not-for-profits & charities, local & state government departments and private enterprise to design and produce memorable, immersive experiences that convey your core values, strengthen your brand or deliver on your community development goals.
How can we work together?
Every fruitful working relationship begins with understanding your journey up to this point and where you think you want to go or what you wish to achieve next.
If you’re in the process of identifying the specific needs or the right blend of services required to achieve your marketing goals, to help secure financial sustainability for your not-for-profit, or to produce your next event, get in touch for a chat.
How much will it cost?
Talking is free, so there’s nothing to pay at the outset.
Only once we agree where the value is in our partnership, will I begin charging for my time.
About me…
Events Delivered is the trading name of Phil Nicholas, a professional event producer with 25 years’ experience in the industry, encompassing venue-based concert and spoken word productions, outdoor community festivals and markets.
I lived and worked in the UK until 2010, at which point I relocated to Australia, eventually settling on the Mid-North Coast of New South Wales.
During my school years, I relished the sense of anticipation experienced on long drives up to The Lakes District for Duke of Edinburgh’s Award hikes and later in the 90s, the nervous energy of working as an English teaching assistant in Japan.
These early experiences spurred me on to explore the world of events as a profession and before long I was running gigs and tours for the likes of London’s top jazz promoter Serious, cutting edge independent music promoter Eat Your Own Ears and a consortium of regional venue programmers - Music Beyond Mainstream - who collaborated to engineer artistically ambitious tours featuring exciting musicians from across the globe.
As a counterpoint to the intricacies of planning, funding and the crescendo of activity that characterizes the build up to events, I cherish spending time in nature, as this allows space for inspiration to work its magic on the development of new ideas.